Movies: Michel Nedjar
- 1978
Cinématon (1978)
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Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each...
- 1984
Chutes de Michel Nedjar (1984)
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Outtakes from the movie...
- 1980
Lacrima Christi (1980)
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Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy devoted to Christ’s Passion, Lacrima Christi is an exploration of the transfer between desire and myth that...
- 1982
À quoi rêve l'araignée ? (1982)
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An autobiographical film that orchestrates the fragments of Michel Nedjar's life, to compose an architecture. The family films shot by his father, pieces of Michel's first films shot in the Balearic Islands and in Athens, contemporary images with Teo...
- 1983
Chutes de 4 à 4 Métro-Barbès-Rochechou-Art (1983)
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Outtakes from the movie...
- 1977
Cristo (1977)
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All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces and creates. The best way for historical interpretation or literary adaptation is to move as far as ...
- 1987
Fragments (1987)
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Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day chronicle that outlines a recurring obsession for registering even the most ordinary things, where the leas...
- 1978
Cristaux (1978)
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The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an inner labyrinth, which we do not know if it is organic or cultural. At the same time, the film contains a...
- 1984
Mesures de miel et de lait sauvage (1984)
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Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and materials, stains, signs, are a movie subject.”...
- 1978
J'aime (1978)
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- 1981
Sur Graal de T.H. (1981)
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- 1976
Salomé (1976)
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A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color, and the projection speed....
- 1980
Graal (1980)
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The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the subjects at all times. (...) This is not about "the" Holy Grail and its legend but about the concept of t...
- 1979
Ailes (1979)
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Wings white, she's red, wings scream, she sings, wings fly, she moans, wings rise, she hides, wings move, she teaches me. Leila, night name, exhumates my childhood memories and introduces me to the marvelous....
- 1978
Teo (1978)
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- 1983
Souvenirs/Rouen (1983)
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Fugitive images of the northwestern city of France....
- 1978
Angle (1978)
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"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture. Punctuations of black primers break up the filmic continuity, isolating snapshots or brief furtive movements: ...
- 1989
Le chant de l'âme (1989)
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- 1977
Le gant de l'autre (1977)
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Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove....
- 1978
Cinématon III (1978)
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Reel 3 of Gérard Courant's on-going Cinematon series....