Movies: Ed Emshwiller
- 1967
Dont Look Back (1967)
Dont Look Back7.41967HD
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Pri...
- 1980
The Lathe of Heaven (1980)
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George Orr, a man whose dreams can change waking reality, tries to suppress this unpredictable gift with drugs. Dr. Haber, an assigned psychiatrist, discovers the gift to be real and hypnotically induces Mr. Orr to change reality for the benefit of m...
- 2013
Diaries, Notes, and Sketches (2013)
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An epic portrait of the New York avant-garde art scene of the 60s....
- 1997
Birth of a Nation (1997)
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Filmmaker Jonas Mekas films 160 underground film people over four decades....
- 1976
Lost, Lost, Lost (1976)
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Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963....
- 1963
Thanatopsis (1963)
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Power saws and a heartbeat score this experimental light-and-color shot by Ed Emshwiller....
- 1963
Hallelujah the Hills (1963)
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Jack and Leo vie for the affections of Vera – who appears a little differently to each man – over the course of a series of energetic sketches, flashbacks and homages....
- 1965
George Dumpson's Place (1965)
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Employing experimental techniques, Emshwiller magically moved through a collection of objects and artifacts in order to capture the spirit of George Dumpson and his backyard museum....
- 1962
The American Way (1962)
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A comedy short which pokes merry anarchistic fun at such quintessential American institutions as mom, baseball, and apple pie. It features an early appearance from actor John Cazale....
- 1971
Film with Three Dancers (1971)
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In this spin-off from his original plan for Relativity (1966), Emshwiller continued with his desire to penetrate “space in a kind of flying camera, a dream of flying, a kind of sensual, sexual imagery where you were constantly going into an unknown s...
- 1960
Lifelines (1960)
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A combination of animated line drawings with live photography of a nude model. A play on the title (living lines, life model, procreation and hand life line)....
- 1985
Home Movies 1971-81 (1985)
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Home movies shot on Super 8mm by W+B Hein over 10 years....
- 1962
The Streets of Greenwood (1962)
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THE STREETS OF GREENWOOD (1962), looks at voter registration efforts by the Student Non-Violent Coordinating Committee (SNCC)and a concert in a cotton field in the Mississippi Delta. One of the first films made about the southern civil rights movemen...
- 1966
Relativity (1966)
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Emshwiller made this film on a Ford Foundation grant, and in his original proposal to the Ford Foundation, he outlined the film as "something that deals with subjective reality, the emotional sense of what one's perception of the total environment is...
- 1962
Time of the Heathen (1962)
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In New York four years after the bombing of Hiroshima, a bible-carrying drifter who witnesses the rape and murder of a black woman is framed and pursued by locals while left as the sole protector of the woman’s young son....
- 1973
Painters Painting (1973)
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Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios. Artists appearing in ...
- 1979
Sunstone (1979)
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Experimental computer animation from pioneering artist Ed Emshwiller....
- 1963
The Existentialist (1963)
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A delightful short film shot in reverse in which the main protagonist enjoys a day on the town....
- 1965
Film Magazine of the Arts (1965)
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"In Spring, 1963 Show Magazine called me and asked that I make a film on arts in New York. I told them, why did they want me to make it - didn't they know I was a bit unusual? ... 'We want something unusual,' they said. So I went out and made a newsr...
- 1974
Suite 212 (1974)
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Suite 212 is Paik's "personal New York sketchbook," an electronic collage that presents multiple perspectives of New York's media landscape as a fragmented tour of the city. Paik critiques the selling of New York by multinational corporations and the...